I’m Okay (Trust Me)

I wrote a little over a month ago about visiting my father in Pennsylvania. Since then, so much has happened . . .

Continue reading “I’m Okay (Trust Me)”

A Little Seasoning [Limerick]

The prompt for this week’s limerick is ‘Seasons’. Rather than write one limerick spanning four seasons, I wrote four limericks – one for each season. So, if you’ve ever wondered what I thought about the weather at any given time, here you go. Continue reading “A Little Seasoning [Limerick]”

Monday Morning Grievance: Mother Nature Didn’t Get the Memo

One of the things I enjoy is the challenge of Mother Nature.
– Nick Wallenda

Continue reading “Monday Morning Grievance: Mother Nature Didn’t Get the Memo”

The Color of the Season

Winter in eastern North Carolina comes in one color: brown.

Winter rains transform open ground into a morass of dirt and mud, covered by the winter winds with a blanket of dead leaves and pine straw, leaving barren trees standing as skeletal sentinels waiting for spring’s resurrection.

In this scene of seasonal tedium I discovered a hint of things to come:

Pinecone


Our assignment was this:

Capture the natural world with your camera: document a moment outside, big or small. From a panorama snapped during your morning hike to a close-up of a leaf in your yard, we invite you to document this wondrous world around us.

Can’t go outside? Photograph something — furniture, architecture, etc. — that looks or feels organic, or mimics the shapes and movements of nature.

Today’s Tip: Exploring the outdoors, with camera in hand, is an opportunity to look for natural lines that lead our eyes to different parts of a frame. Envision the bend of a stream, or the curve of a petal: how can you use these lines in your composition? If you see strong vertical, horizontal, or diagonal lines, can you play with the orientation to create a more dynamic composition? Can you apply — or break — the “Rule of Thirds“?

I find a sort of beauty in the asymmetrical radial lines of the pine cone against the horizontal wood grain.

I’m also kind of proud; this is the first time I can recall producing any sort of natural soft focus in the background.

What do you think?


Photo101

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